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Dybuk
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Post by Dybuk » Wed Apr 03, 2019 10:37 pm

Na kraju se isplatilo. :)
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NGboo
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Post by NGboo » Sun Apr 14, 2019 11:31 am

Otkrivam print za poster fiktivnog akcionog B-filma Dangerous Speed koji igra značajnu ulogu u kratkometražnom filmu Slabikář radosti (Syllabus of Joy) češkog reditelja Petra Makaja. Folou d link bilou. :D

https://ngbooart.blogspot.com/2019/04/s ... speed.html

(Postoji i verzija gde je glumac zamagljeno-izobličen, pošto u jednom trenutku napušta poster...)

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NGboo
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Post by NGboo » Tue May 14, 2019 3:55 pm

High Life - još uvek nisam 100% siguran u svoj utisak, verovatno delimično zbog toga što je ovo prvi film rediteljke Kler Deni koji sam odgledao. U svakom slučaju, scena masturbacije lude naučnice koju tumači Žilijet Binš, a koju glavni lik (Robert Patinson) u jednom trenutku nazove "šamankom sperme" ostaje u sećanju kao uznemirujuće erotična (ili obrnuto?). :o

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Dybuk
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Post by Dybuk » Mon May 27, 2019 11:59 am

NGboo, jesi li gledao Darling (2015), i valja li?

https://www.imdb.com/title/tt4126394/
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NGboo
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Post by NGboo » Mon May 27, 2019 8:43 pm

Dybuk wrote: NGboo, jesi li gledao Darling (2015), i valja li?
Jesam, ali mi se nije dopao. Evo mog komentara sa Znaka Sagite:

"... stilski ujednačen, ali dozlaboga derivativan psihološki horor; lepo uslikana (i sa svojih sedamdesetak minuta, preduga) imitacija Repulsion-a, koja povremeno "isijava" i pokušava da gazi po linčovskom terenu. Loren Ešli Karter pomalo podseća na Aziju Arđento i daje sve od sebe da oči načini još krupnijim (jer neimenovana "junakinja" koju tumači ponire u ludilo), ali čim progovori, ne vredi joj ni naknadno otkrivanje grudi."

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Dybuk
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Post by Dybuk » Mon May 27, 2019 9:16 pm

Hvala, preskočiću! :D
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NGboo
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Post by NGboo » Fri Jul 05, 2019 10:17 am

Diamantino - nadrealizam, transdženderizam, izbeglička kriza, palp SF sa ludom naučnicom, dekonstrukcija Pepeljuge i sprdnja sa Evropskom unijom i kultom poznatih (u disclaimer-u tvrde da je sličnost sa stvarnim osobama slučajna, ali protagonist neodoljivo podseća na Ronalda :D). Ovaj hrabri, preambiciozni i krajnje uvrnuti miks ideja mi na prvo gledanje nije leg'o koliko sam očekivao (donekle su krivi i google-titlovi), ali sinoćna repriza (u Oficirskom domu u Nišu) mi je baš prijala. Jedan od najzabavnijih novih arthaus naslova. :D

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Dybuk
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Post by Dybuk » Mon Jul 22, 2019 10:51 am

Our very own NGboo dao sjajan intervju za Film Panic :clap:

https://filmpanic.co.uk/2019/07/22/film ... ola-gocic/
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NGboo
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Post by NGboo » Fri Aug 16, 2019 12:34 pm

Ovih dana, naleteo sam na nekolicinu ne baš inspirativnih arthouse naslova:

El día que resistía (Alessia Chiesa, 2018) - troje dece samo u kući na ivici (ili usred?) šume zvuči kao potencijalno dobra premisa za bajkoviti horor, ali u ovom slučaju je protraćena na dosadnjikavu dramu sa snažnim elementima misterije koji su i bili glavni razlog za ostajanje do kraja. (5+/10)

Ham on Rye (Tyler Taormina, 2019) - ako ste registrovani na Festival Scope-u, možete ga odgledati besplatno do 31. avgusta, mada meni uopšte nije leg'o (4+/10). Evo komentara sa moje FB stranice:

"The awkwardness of being a teenager in an increasingly alienating world is amped up to eleven (and above!) in Tyler Taormina's feature debut Ham on Rye – a visually pleasing coming-of-age drama with an authentic suburban setting, rife with uninvolving characters and imbued with initially delightful, slightly surreal bizarreness that gets progressively tiresome, along with the film's anticlimactic narrative."

Gangbyeon hotel (Sang-soo Hong, 2018) - taman sam se poradovao jednom južnokorejskom filmu koji traje manje od dva sata, kad ono... (3/10)

"While watching or rather, struggling to sit through 'Hotel by the River', I could envision the embodiment of my love for arthouse cinema writhing in agony - as you may guess, it was not a pleasant sight. In an incessant stream of dull visual compositions showing uninvolving protagonists engaged in painfully banal dialogue, I was vainly trying to catch a glimpse of poetry promised by the film's beautiful poster. That one shot of two women standing in the snow was the only redeeming value I got from the proceedings posing as lyrical, and coming off as the exact opposite." (moj kratki rivju sa letterboxd-a)

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